The "Maple Leaf Rag" is a multi- strain ragtime march with athletic bass lines and offbeat melodies. ( September 2023) ( Learn how and when to remove this template message) Unsourced material may be challenged and removed. Please help improve this article by adding citations to reliable sources in this section. This section needs additional citations for verification. In 1903, Stark issued a "Maple Leaf Rag Song", an arrangement of Joplin's music with words by Sydney Brown. It was reissued in 1900 or 1901 with a new cover showing a green maple leaf and a photograph of Joplin. The "Maple Leaf Rag" was published between August 10 and September 20, 1899, when the United States Copyright Office received two copies of the score. After approaching several publishers, Joplin signed a contract with John Stillwell Stark on Augfor a royalty of one cent ($0.35 in 2022 ) on all sales of the rag, with a minimum sales price of 25 cents($8.79 in 2022 ). The exact circumstances which led to publication of the "Maple Leaf Rag" are unknown, and there are versions of the event which contradict each other. Prior to its publication, Joplin anticipated that the piece would be a success-he told Arthur Marshall that "The Maple Leaf will make me the king of ragtime composers". The "Maple Leaf Rag" was already known in Sedalia prior to its publication in 1899 composer and pianist Brun Campbell claimed to have seen the manuscript of the work in or around 1898. His first published rag was " Original Rags" (March 1899). Īlthough there were hundreds of rags in print by the time of the "Maple Leaf Rag's" publication, Joplin was not far behind. It is possible that the rag was named after the Maple Leaf Club, although there is no direct evidence to prove the link, and there were probably many other possible sources for the name in and around Sedalia at the time. Joplin played as a solo musician at dances and at the major black clubs in Sedalia, among them the "Maple Leaf Club". Joplin arrived in Sedalia in 1894 as a touring musician and stayed with the family of Arthur Marshall, who later became one of Joplin's students and a ragtime composer in his own right. Later in the 1970s, concerns about the piece's authenticity were allayed by the discovery of the QRS roll, which credited Joplin as the composer.The "Maple Leaf Rag" is associated with the city of Sedalia, Missouri, although there is no record of Joplin having a permanent residence there before 1904. The copyright for "Silver Swan Rag" was assigned to the Lottie Joplin Thomas Trust. While some doubted its authenticity, the piece was transcribed into musical notation for inclusion in Vera Brodsky Lawrence's The Collected Works of Scott Joplin, published in 1971. In 1970, a copy of the National roll (which did not credit Joplin) was discovered in the garage of a collector. Interest in Joplin's music revived in the 1960s. Though two companies ( QRS Music Roll Company and National) issued piano roll recordings of it in 1914, the piece was neglected for many years. "Silver Swan Rag" was never copyrighted or published in Joplin's lifetime. Jasen and Tichenor wrote that it "sounds as though it consists of three fragments put together". The phrasing is then perceived as starting at the ninth bar and ending on the eighth bar through the repeat. The rhythmic momentum later does not subside on the tonic chord during the first repeat ending of the strain but rather continues as the strain is repeated. While it was typical to repeat the beginning phrase at the halfway point of a strain, or otherwise lead into a different melody that resolves by the sixteenth bar, here it abruptly pauses at the eighth bar before modulating to C minor in the ninth bar. The phrasing is notably uncharacteristic of Joplin rags. Edwards describes this section as "well developed". At the start of the B strain, the piece modulates to G minor. The introduction and the A strain are both in B-flat major. The recapitulation of the A strain at the end is also found in " Magnetic Rag" and "Scott Joplin's New Rag", which appeared about the same time. The structure is unusual for a Joplin rag Edwards characterized it as a rondo. The overall structure of the piece is: Intro AA BB A CC Intro A It is the only known Joplin composition to be originally released on piano roll instead of in musical notation. " The Silver Swan" by Scott Joplin is a ragtime composition for piano.
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